showing 11 results matching creditline:"Acquired through the Minnesota Museum Property Act"

advanced
map of England in an oval with counties delineated with colored embroidered borders and black stitched names; scrolling tan ribbon with flower branches at bottom; leafy and flowered swags with tan ribbon at top and along sides; two small roundels in top corners--scene on left of two men--one on horseback, on standing--with a pair of columns with lintel in background; right scene is a woman with a spear leaning on a shield with the Union Jack, with a cornucopia at right and a ship at left; cream silk ground; edges nailed to wooden stretcher boards

Map of England and Wales, 18th century

England

Not on View
colorful bird perched in a very small tree with brown, yellow, and green leaves; smaller bird in tree at left; some red, blue, and white flowers in LRC; "The MACAW." embroidered in yellow at bottom center; cream silk ground

The Macaw, 18th century

England

Not on View
Issue 1 of 5 of a newspaper published during the 1974 Biennale di Venezia with a poster insert by Diego Birelli; newspaper type in black and orange inks; poster is gray and black with white and orange type; at the top of the poster are three men standing behind a wall which runs vertically to the bottom of the poster

Issue 1 of Libertà al Cile: Liberstad para Chile, La Biennale di Venezià, 1974, October 5, 1974

Diego Birelli; Publisher: La Biennale de Venezià, 1974

Not on View
Issue 2 of 5 of a newspaper published during the 1974 Biennale di Venezia with a poster insert by Roberto Matta; newspaper type in black and orange inks; poster is white with figures and animals drawn in thick black lines; HAY QUE ABRIR LOS BRAZOS COMO SE ABREN LOS OJOS appears in a speech bubble on the lower right side of the poster

Issue 2 of Libertà al Cile: Liberstad para Chile, La Biennale di Venezià, 1974, October 12, 1974

Roberto Sebastian Matta; Publisher: La Biennale de Venezià, 1974

Not on View
Issue 3 of 5 of a newspaper published during the 1974 Biennale di Venezia with a poster insert by Emilio Vedova; newspaper type in black and orange inks; poster is white with thick black lines, slashes, and circles in black throughout; NERUDA ALLENDE is written in large black letters on the left bottom border and Vedova 73 in lower right corner

Issue 3 of Libertà al Cile: Liberstad para Chile, La Biennale di Venezià, 1974, October 19, 1974

Emilio Vedova; Publisher: La Biennale de Venezià, 1974

Not on View
issue 5 of 5 of a newspaper published during the 1974 Biennale di Venezia with a poster insert by Andrea Cascella; newspaper type in black and orange inks; poster has gray and white curving forms surrounded by an orange border

Issue 5 of Libertà al Cile: Liberstad para Chile, La Biennale di Venezià, 1974, November 2, 1974

Andrea Cascella; Publisher: La Biennale de Venezià, 1974

Not on View
portfolio cover housing 5 issues of newspaper Libertà al Cile: Liberstad para Chile, La Biennale di Venezià, 1974, included and a poster inserted into each of the five issues; back of portfolio cover has black and white photographs of leaders, speakers, and people congregating plus an image of each of the posters in the five issues of the newspaper

Portfolio cover for Libertà al Cile: Liberstad para Chile, La Biennale di Venezià, 1974, 1974

La Biennale de Venezià, 1974

Not on View
96-part print, sent as facsimile (fax) copies, plus 7 installation diagrams with notes, and 7 pink interleaving sheets

Trio, April 16, 1996

David Hockney

Not on View
Issue 4 of 5 of a newspaper published during the 1974 Biennale di Venezia with a poster insert by Giò Pomodoro; newspaper type in black and orange inks; poster is white with geometric configurations forming star patterns in red and blue; Giò Pomodoro '74 in lower right corner

Issue 4 of Libertà al Cile: Liberstad para Chile, La Biennale di Venezià, 1974, October 26, 1974

Giò Pomodoro; Publisher: La Biennale de Venezià, 1974

Not on View
village; street on right side front to back; small fields upper left; water upper right; both sides of street with houses close together and a few scattered small trees; thickly painted

Mining Village in Cornwall, c. 1920

Walter Elmer Schofield

Not on View
three-quarter length portrait of a young blonde girl in a yellow dress with blue ribbon trim; pink flowers at bust; holding a white shawl closed

Portrait of a Young Girl, 1881

George Chickering Munzig

Not on View

showing 11 results matching creditline:"Acquired through the Minnesota Museum Property Act"

Download results as CSV